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Mimi Movie Review: Pankaj Tripathi and Kriti Sanon starrer has an interesting premise but turns out to be a mediocre film

Modified On: 27 July 2021 | Reviewed By:

Cinematographer turned Laxman Utekar's third executive endeavour, Mimi is a weird monster in more manners than one. It gets going in the way of a carefree show about surrogacy and closures on a passionate note that lines on the garishly sermonizing.

Mimi

Director: Laxman Utekar | Music Director: A. R. Rahman


Mimi Movie Poster

Our Users Average Ticket Price rating for this movie is:

Rs.300

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Cast: Pankaj Tripathi, Kriti Sanon, Sai Tamhankar, Evelyn Edwards, Aidan Whytock, Manoj Pahwa, Supriya Pathak, Atmaja Pandey, Jaya Bhattacharya

Director: Laxman Utekar

Cinematographer turned Laxman Utekar's third executive endeavour, Mimi is a weird monster in more manners than one. It gets going in the way of a carefree show about surrogacy and closures on a passionate note that lines on the garishly sermonizing.

There's is no certain shot recipe for the accomplishment of a change in Bollywood. We have spectacular changes of some normal movies, and afterwards, there have been some that couldn't coordinate with the splendour of the first. To choose which class Laxman Utekar's Mimi has a place is somewhat interesting. Also, we have our purposes behind that. 

Mimi is the revamp of Samruddhi Porey's National Award-winning Marathi film Mala Aai Vhhaychy, which was delivered in 2011. A film dependent on surrogacy, Mimi is certainly 10 years late to discuss the untouchable theme in our general public. However, slow on the uptake, but still good enough. In any case, to make it interesting to the majority, the producers got carried away and Bollywoodised it to the degree that it became exaggerated past our craving.

Mimi is the narrative of a young lady (Kriti Sanon) from the province of Rajasthan who needs to turn into an entertainer in Bollywood. Like some other unassuming community young lady with huge dreams, she additionally needs cash to go to Mumbai and take a shot in the entertainment world. 

With the assistance of a driver, Bhanu Pratap Pandey (Pankaj Tripathi), she interacts with an unfamiliar couple who needs her to be a substitute mother for Rs 20 lakh. Mimi concurs with the cash, yet sudden results follow. 

The story and plotline of Mimi are actually similar to that of Mala Aai Vhhaychy, anyway, numerous progressions have been made in the number one spot character to make it all the more family-accommodating. While in Mimi, the focal person looks present-day and certain, in the first, she is more standard and is shown battling the general public isolated.

Kriti Sanon, in the job of Mimi, endeavours to make her name in the new universe of ladies driven film, right now overwhelmed by any semblance of Taapsee Pannu and Alia Bhatt. Somewhat, she prevails in her endeavour and gives a promising exhibition, her best yet. Be that as it may, is it enough? 

We consider a to be the extent of progress as she doesn't understand when her acting transforms into exaggerating. Pankaj Tripathi is remarkable as Bhanu and it won't be a misrepresentation in the event that we say that he is the anchor in the film who doesn't allow this boat to sink. From entertaining to passionate, the entertainer dominates in each scene with sheer artfulness. 

Sai Tamhankar, who plays Mimi's closest companion Shama, has her influence to the T. She is guiltless, caring and there for her companion regardless.

Manoj Pahwa and Supriya Pathak play Mimi's folks and give an acceptable exhibition. Another entertainer who merits notice in this rundown is the young entertainer who plays Aatif, an understudy of Mimi's dad. His comic planning is unrivalled and it won't be an astonishment in the event that we see him in more movies later on.

A bright Delhi cabbie Bhanu (Pankaj Tripathi), who drives Summer (Evelyn Edwards) and John (Aidan Whytock) to Rajasthan as the wedded team search for a substitute mother who can convey a sound child, turns into the go-between in the arrangement.

The first melodies and foundation score for Mimi are made by AR Rahman. All verses are composed by Amitabh Bhattacharya. While the melodies supplement the storyline and go with the plot, they neglect to leave any dependable effect.

Mimi is an extraordinary effort to carry a social untouchable like surrogacy to the middle stage. Nonetheless, in attempting to make it seriously engaging and enthusiastic, the producers lose a decent chance. The film has some truly amusing scenes, and if it's all the same to acting, you ought to give Mimi one watch.


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Rs.300

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 3
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