Cast: Taapsee Pannu, Vikrant Massey, Harshvardhan Rane, Ashish Verma, Aditya Srivastava, Yamini Das, Daya Shankar Pandey

Directed By: Vinil Mathew

Haseen Dillruba rotates around a sincere engineer, his spirited spouse, her studly sweetheart and a one-sided cop. Hasee Toh Phasee chief Vinil Mathew's new film, which is out on Netflix, proposes that adoration isn't actually love in the event that it's anything but love fou – frantic, energetic, wild.

The story revolves around, The existence of the courageous woman, 28-year-old Delhi young lady Rani (Taapsee Pannu), mirrors the scum weighty stories she has been weaned on. The Hindi writing graduate eats up murder secrets wrote by Dinesh Pandit whose one equal, in reality, would be the incredibly productive Surender Mohan Pathak.

Dinesh Pandit's books have titles that make their expectations understood - Hawas Ka Aatank (Tyranny of Lust) and Kasauli Ka Qahar (Wrath of Kasauli). The last arises as a focal piece of the jigsaw puzzle that Rani's marriage transforms into as she battles to accommodate her longings with the requests of her significant other and his mom.

Taapsee Pannu plays Rani with all the energy at her order. The new lady of the hour is no weakling. She is a non-veggie lover who diets on Mondays, however her cranky mother in-law (Yamini Das) can't get her to either play the demure bahu or step into the kitchen to make tea and onion wastes.

Three strongly unlikeable individuals meet up in this peculiar mixed drink of sentiment and vengeance. The general insight, be that as it may, feels like somebody's slipped you a roofie. Haseen Dillruba is not really the tribute to Hindi raw fiction that had been prodded. Indeed, even by the principles of something you may get on a rail line stage, the characters in this film act like no individual you're at any point liable to meet.

Taapsee Pannu's presentation as an exhausted housewife named Rani is everywhere. In one second she's the standard Taapsee Pannu-type — reckless however fairly charming — and in the following, she goes amazingly off-brand, and in a real sense asks a man to acknowledge her. It's a jostling shift, taking into account how Rani had been introduced to us. The issue here isn't the shift in perspective — these things occur — however the film's apathy towards its own interior rationale.

The majority of the entertainers are star groupings in a film that circles around its unstable leads. Harshvardhan Rane has little effect, while Aditya Srivastava is squandered as the profoundly dubious cop. Yamini Das and Daya Shankar Pandey, as Rishu's folks, lose their significance once the unexpected developments overwhelm the relational peculiarities.

The pulsating heart of this fizzled love fou isn't the lady for whom compassion is looked to be evoked. Vikrant Massey is bolting as the curbed spouse whose frustrated enthusiasm takes a dim turn. Massey's layered investigation of Rishu's misery and mercilessness effectively overshadows his co-star's endeavors. While Rani almost never rehashes an outfit, Taapsee Pannu adheres to a restricted arrangement of articulations and activities to pass on her person's unrest.