'Garadi' Movie Review: Bhat's Creative Approach Breathes New Life into a Fading Sport

Yogaraj Bhat, known for his success in romantic films, steps out of his comfort zone with Garadi, a film that explores action cinema and aims to revive interest in traditional wrestling. This film centers around the waning sport of wrestling in Garadi manes (wrestling houses).

Garadi Storyline: The story unfolds in a small town in Old Mysore, focusing on Soori (Yashas Surya), a young member of a wrestling family who, orphaned by his father's death and brother's imprisonment, is raised by Pailwan Rangappa (B C Patil). Despite being prohibited from entering the ring, Soori aspires to become a wrestling champion. The desperation of landlord Shivappa Rane (Ravishankar) to produce a wrestling champion leads to his sons, Dodda Rane and Chikka Rane (Sujay Belur), becoming wrestlers. As the village eagerly anticipates the five-yearly tournament to regain a shield after decades, the plot takes unexpected turns with the introduction of the female lead, Kabbali (Sonal Monteiro).

Direction:

Bhat's bold move into action cinema deserves applause, but the film, despite its impressive appearance, struggles with a weak first half and loose ends. 

Performance:

Yashas Surya delivers a strong and energetic performance, while Sonal Monteiro adeptly adjusts to the changing tones of the plot. 

Darshan's impactful cameo provides the film with a belated yet essential lift. 

B C Patil deserves praise for his commendable performance in a wrestling guru role.

Ravishankar's depiction of the villain succeeds in making a favorable impact.

Music:

The music by Harikrishna is refreshing, and the title song stands out with its memorable impact!

Summary:

Despite its imperfections, Garadi stands out as a significant film that brings attention to traditional sports. Yogaraj Bhat's innovative approach breathes new life into the fading sport. The creative direction is highlighted as a revitalizing force for the traditional sport, suggesting a refreshing take on the cinematic portrayal of wrestling.